Category Archives: scholarship

Early Printed Pages in Europe

From A Place for Everything, by Judith Flanders (Basic Books, 2020), Kindle pp. 127-129:

It is easy to assume that standardization, organization, regularization—and alphabetization—followed hard on the heels of the arrival of printing, but the reality was less tidy, as reality usually is. It took some time even to arrive at what we think of as a standard page of text: black ink on white paper, a centered text in roman type, intermittently interspersed with italic or bold, broken up into paragraphs by indented spaces, surmounted by running heads and page numbers. Nor were other elements of the book—chapter headings to mark text divisions, tables of contents, title pages to announce the book title, the author, publisher, and date and place of publication—any more formalized at this date. Instead, in the fifteenth and well into the sixteenth centuries, texts were designed to resemble manuscripts, often with no title page, and with red initial letters, headings, and glosses underlined. Paragraphs or other breaks in the text were rarely used, and most frequently unknown, although paragraph marks—¶—were sometimes used as marginalia, to give an indication of the text’s structure. Indented paragraphs would not become commonplace for another half century.

The Venetian printer Aldus Manutius (1449/52–1515) was an innovator: in his Hypnerotomachia Poliphili, The Dream of Poliphilus, printed in 1499, he used the paragraph indents we would recognize; and two years later, he introduced italic typefaces. Other symbols that we take for granted appeared more gradually. In manuscripts, a diple (which resembles our mathematical symbol meaning “less than”: <) had often hitherto been used as a marginal notation to guide readers’ attention to something important in the text. In the sixteenth century, the symbol moved into the text itself, indicating those lines of text that included sententiae, or citations from the authorities. And then, around the 1570s, the diple migrated again, to the beginning of a citation, to indicate direct speech or quoted material: it had become an inverted comma, or quotation mark.

Pagination—numbering each page with consecutive Arabic numerals—came relatively swiftly, although it was not originally a matter of marking first page 1, then its reverse page, and so on to the end of the work. At first, printers used these numerals to guide themselves, not their readers. From the early days of printing (and still today), the technology of the printing press was such that eight, sixteen, or thirty-two pages were printed together on a single sheet, which was then folded to produce pages 1 to 8, 1 to 16, or 1 to 32 of a book. That folded section was, and is, called a signature (the equivalent for a manuscript was a quire, which was usually made up of between four and six folded sheets), and multiple signatures were gathered in order and bound together to produce a book. These gathers can best be seen today along the top or bottom edges of most hardback books, where the pages meet the spine. To ensure the signatures were kept in the correct order during the binding process, printers gave each signature a number, or, today, consecutive letters of the alphabet, printing them inconspicuously at the bottom of each signature’s first page. The signatures could then be dispatched to a bindery in any order, and by following the progression of the numbers or letters, the book, even without numbered pages, would still easily be bound in the correct order.

Printed books were originally bound in plain paper covers, with the expectation that their owners would have them rebound in different styles or qualities of leather according to their resources and tastes. To ensure that the order of the signatures was maintained during this second binding, printers included a “register,” or list, of the first words of each signature, placing it at the beginning of the text in the position that a table of contents later came to occupy. And not long after the establishment of printing houses, some began to do more than give each signature a numeral for internal use. In printers’ technical vocabulary, a folio is the sheet of paper consisting of two sides, or pages, the front and reverse. Once the sheets have been bound into a book, the right-hand, uneven-numbered page is called the recto, the left-hand, even-numbered page the verso. (This page, for example, is a verso.) At first, it was the folios themselves that were numbered, followed by an “r” for recto, or “v” for verso.    Whichever style was chosen, the numbers were no longer internal printers’ indicators, but were there for the convenience of the readers.

In 1450, fewer than a tenth of manuscripts used any system to indicate pagination. In 1499, a reference work to the epigrams of the Roman poet Martial, Cornu Copiae, The Horn of Plenty, by the Italian humanist Niccolò Perotti, may have been the first book to include numbering on every page, a novelty highlighted by the accompanying explanation at the head of the index: “[E]ach word that is sought can be found easily, since each half page [that is, each recto and verso] throughout the entire book is numbered with arithmetical numbers [meaning Arabic, not roman, numerals].” A century later, most printed books included page numbers as a matter of course.

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Finding Classics in Other Alphabets

From A Place for Everything, by Judith Flanders (Basic Books, 2020), Kindle pp. 81-83:

Arabic dictionaries also used nonalphabetical methods of organizing. The Mukhaṣṣaṣ, or The Categorized, by Ibn Sīda (d. 1066), was divided, as its title states, by subject or topic, beginning with human nature and continuing on to physiology, psychology, women, clothes, food, and weapons. Al-Khalīl Ibn Aḥmad (d. 791), in his Kitāb al-‘ain, The Book of [the Letter] ‘Ain, used sounds to organize his work: he listed entries in an order of his own, where each sound group was followed by subcategories based on how many consonants a word contained. …

These mainly nonalphabetical developments contrasted with the works of Hebrew scholars, who tended toward alphabetical order simultaneously with (and occasionally a little ahead of) their Christian contemporaries. At the end of the eleventh century, Nathan ben Jehiel (c. 1035–c. 1110) produced his Sefer ha’Arukh, The Set Book. Ben Jehiel, who had been born in Rome, spoke Arabic, Aramaic, Greek, Hebrew, Italian, Latin, Persian, and Syriac, and he drew on his knowledge of these languages to produce an alphabetically ordered book of root words occurring in rabbinic literature. It became one of the best-known dictionaries of its type—more than fifty copies survive—as well as being one of the first Hebrew books to be printed, in Rome sometime before 1472.

Many of these works, both in Arabic and Hebrew, and the scholarship that had produced them, became accessible to scholars in Western Europe for the first time as these languages began to be more widely translated into Latin. … That so many of these works returned to the West via Arabic was significant, for earlier Arab scholars had frequently added substantially to the originals, including details of their own work, which was far in advance of much of Western thought at the time.

The Western rediscovery of the classics had two results, one somewhat abstract, one concrete. More generally, the awareness of how many great works had been entirely unknown before the lifetimes of these new readers, and of how many more had been permanently lost, produced a sense that the current generation needed to ensure that this recaptured knowledge, as well as all the works produced under its influence, were preserved for future generations. Further, it created a drive to ensure that the details contained in all these new works could be found easily—in other words, readers wanted not merely to read the books, but to refer to them: they wanted search tools.

These recently translated manuscripts also brought to the West other elements that are crucial for our story. Educated European readers now became increasingly familiar with foreign alphabets. In Italy and France in particular, Hebrew had routinely been transliterated into the roman alphabet when manuscripts were copied; in the rest of Europe, the Greek alphabet had sometimes been used, but less and less as time went on. In Europe, apart from Spain, where Arabic was in common use, Arabic too had been almost always transliterated into the roman alphabet. By contrast, some in the British Isles were familiar with Old English runes, known as futhorc, or with the Irish writing system known as Ogham. Many more would have recognized, and used in conjunction with the roman alphabet, the Old English runic letters such as thorn (Þ, þ) and wynn (Ρ, ρ). For these reasons, “foreign”-looking letters were more familiar and less unnerving in the British Isles, and so Latin and Hebrew letters were both used, as they were from the ninth century in Germany, a regular destination for highly educated monks from Ireland and Britain.

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Early Chinese Dictionary Orders

From A Place for Everything, by Judith Flanders (Basic Books, 2020), Kindle pp. 45-46:

On the other side of the globe and in an entirely nonalphabetic writing system, in China during the Han dynasty (206 BCE–221 CE), organizing principles were well in advance of the West’s as far as government administration was concerned. Emperor Cheng (51–7 BCE) commissioned an inventory and catalog of all documents in the imperial archives. Three imperial libraries were built and catalogs were drawn up, organized into subject categories: general summaries, the Confucian classics, philosophy, poetry, warfare, divination, and medicine. Dictionaries were also compiled. The Cangjie Primer (c. 220 BCE) was intended as a textbook to teach children their Chinese characters. It has not survived, but was said to have categorized the characters by meaning and by their structure. So “madness,” “blemish,” “sore head,” and “burn” were grouped together, all being related to the character for “illness.”

This was followed by the Erya (c. 200 BCE), which has been called the first Chinese dictionary. It too was divided topically, by subject, with linked words grouped together within each category, although the connections are not necessarily ones we recognize today: roads and bridges were considered to originate from the court of the emperor, and thus they appear under the heading “Interpreting the Court”; warfare too was the province of the ruler, who was divinely ordained, and thus it fell into the section dedicated to “Interpreting the Heavens.” In around 100 CE the Shuō wén jiě zì dictionary, containing some 9,500 characters, originated a sorting system based not on meaning but on the manner in which a character was written. Each was defined as either a single unit or a compound character, and then categorized by 540 elements, called radicals, which might be semantic elements of the character or might be graphic ones—the direction of a stroke, for example. Each character was then listed under a single radical, which came to define it for lexicographical purposes.

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Neutrality of Alphabetical Order

From A Place for Everything, by Judith Flanders (Basic Books, 2020), Kindle pp. 18-19:

This alphabetic predominance makes it hard for us to remember today that the phrase “alphabetical order” has two parts, and that they might be of equal weight: “alphabetical,” yes, but also “order.” And that all order, and ordering, is not of necessity alphabetical—indeed, for centuries the idea of ordering by random chance, by the letters of the alphabet, was considered less useful than a multitude of other sorting methods—geographical, chronological, hierarchical, categorical. Sometimes things had, and continue to have, no visible organizing method, their innate order being so essential that it is simply remembered. For a medieval clergyman, what would have been the point of putting the books of the Bible in alphabetical order? To him, it was obvious that Genesis comes before Exodus, just as, to us, it is obvious that Monday comes before Tuesday, September before October. In fact, it is surprisingly difficult to put the days of the week or the months of the year into alphabetical order, because the days and months have a “natural” order, one that is not alphabetical.

Other types of categorizing and sorting that were natural to generations past today seem as peculiar to us as April heading a list of the months of the year because it begins with A. Yet in a world more stratified than our own, sorting things hierarchically was once a natural impulse. The Domesday Book, that summary of land occupancy in England and parts of Wales produced for William the Conqueror in 1086, assessed the values of 13,418 places, organizing them first by status, then by geography, then by status again, and finally by wealth. The king came first, followed—broken down by region—by the great clergy, the powerful barons, and, lastly, each district’s most humble tenants.

But of course, for the information in the Domesday Book to be accessible to later readers, they had to know the regions of England and Wales, and the orders of hierarchy—who outranked whom. For, in all the millennia of reading and writing, only one major sorting system has evolved that requires no previous knowledge from the searcher: alphabetical order. To use it, the only thing searchers need to know is a list of approximately (depending on the language) two dozen characters, in an established order. They do not need to know on what continent a city is located to find it in an atlas, nor if a bishop outranks a cardinal to find him in a list of participants at a clerical summit. Neither do they need to know whether the English Civil War preceded or postdated the American Civil War to locate it in an alphabetical list of “Wars Through History”; nor, indeed, do they need to know whether a pumpkin is considered a vegetable or a fruit to search for it in a seed catalog.

Alphabetical order is in this way entirely neutral.

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Impressions of Yale, Early 1960s

From Eat Your Heart Out, Ho Chi Minh: Or Things You Won’t Learn at Yale, by Tony Thompson (BookSurge, 2012), Kindle pp. 26-28:

The required academic work was dreary. Having to write twee little essays for English courses about John Donne’s imagery made me want to smash things. Or to puke. Raising the level of the world’s drivel barometer is demoralizing. Ruining a youthful love of poetry is worse. “Who breaks a butterfly upon a wheel?”

Like my classmates, I wrote essays by the yard. Writing about great villains in novels or who won the Franco-Prussian War was less of a trial than writing about poetry. Also, learning to produce reams of more or less coherent written material about something totally boring and meaningless is good training for would-be lawyers or indeed for anyone who is lucky enough to land a writing job that bills by the column inch.

A few teachers inspired me. Like many ex-prep school students, I had been spoiled at Deerfield by excellent teaching and attentive teachers. At Yale, I quickly recognized that teaching undergraduates wasn’t the point of the institution and that my resentful attitude in the face of great learning and scholarship was childish. Still, I couldn’t help warming to the few professors who tried, however vaguely, to match undergraduate names to faces.

I adored Professor Gordon Haight who taught the Victorian English novel and was the world’s greatest expert on George Elliot. Professor Haight had been one of my father’s teachers, and I had known him as a small child. Academically, Professor Haight was a holdover from Yale’s former tradition of a broad historical approach to the study of literature. This appealed to me. I could never see the point of separating the life and times of John Milton from the poetry of John Milton. At least Milton’s life and times were interesting.

One escape hatch from the required courses in the embalmed world of English literature was accidentally discovering V. by Thomas Pynchon. I added Pynchon to the short list of fiction writers like Evelyn Waugh and P.G. Wodehouse whose style and attitude speak loudly to me. I must have read V. five times during my first two years at Yale.

Obviously, there were courses that didn’t involve writing reams of drivel or sitting through interminable lectures. Being formally introduced to economics and philosophy was stimulating, regardless of the teaching. And the younger professors didn’t all use the droning, dismal lecture-hall approach. Some showed actual flashes of interest in teaching undergraduates.

I was fortunate to be taught introductory economics by Jan Tumlir, a Czech refugee from Communism. Doing hard labor in the Czech uranium mines after the postwar Communist takeover had wrecked the professor’s health. Without making any specific comments about his experience of Communism, he was a living argument against the collectivist policies believed in, or at least advocated, by so many of the Yale professoriate.

Instead, Professor Tumlir cherished nineteenth-century economic liberalism and ideals like free trade and free markets. He taught us about Ricardo, the great English economist who first stated the law of comparative advantage. Professor Tumlir later became head of economics at GATT, the General Agreement on Tariffs and Trade and predecessor to the current World Trade Organization, but died far too young.

Overall, though, Yale in the early 1960s offered the worst teaching I’ve ever experienced. The benighted, God-stuffed, over-long rambling sermons in the First Church of Deerfield were delivered better and with more conviction. Semi-literate army sergeants proved to be far better teachers, as did even the idlest Oxford dons. And Stanford Business School didn’t give tenure to anyone who received consistently poor student evaluations for teaching.


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Original Goals of Rhodes Scholarships

From Diamonds, Gold, and War: The British, the Boers, and the Making of South Africa, by Martin Meredith (PublicAffairs, 2008), Kindle pp. 382-383:

Rhodes was often troubled by premonitions of an early death. It prompted him to write a series of wills with grandiose notions intended to ensure his personal immortality. In his first will, drawn up in 1877 while he was a student at Oxford, he instructed his executors to establish a secret society with the aim of extending British rule throughout the world, restoring Anglo-Saxon unity and creating ‘a power so great as to render wars impossible’. His next four wills – in 1882, 1888, 1891 and 1892 – followed much the same theme; in a covering letter to his 1888 will, he suggested to Lord Rothschild that he should use the constitution of the Jesuits as a template for a secret society, inserting ‘English Empire’ in place of ‘Roman Catholic Religion’.

In 1899, at the age of forty-five, sensing he had not long to live, he drew up his seventh and final will, refining his previous ‘great idea’ into something more practical. He made bequests to members of his family and to his Oxford college, Oriel; and he directed that Groote Schuur should be used as the official residence for future prime ministers of a federal South Africa. But his main ‘great idea’ focused on the education of young colonists. He gave instructions for scholarships to be awarded to suitable colonial candidates to study at Oxford, stipulating the qualifications they needed. In the first place, only men were eligible. Discussing other necessary qualifications with W. T. Stead in London, Rhodes envisaged a points system:

You know I am all against letting the scholarships merely to people who swot over books, who have spent all their time over Latin and Greek. But you must allow for that element which I call ‘smug’, and which means scholarship. That is to stand for four-tenths. Then there is ‘brutality’ which stands for two-tenths. Then there is tact and leadership, again two-tenths, and then there is ‘unctuous rectitude’, two-tenths. That makes up the whole. You see how it works.

In the terminology he finally used, Rhodes instructed points to be awarded for: literary and scholastic attainments; success in ‘manly outdoor sports’; ‘qualities of manhood’, including devotion to duty, protection of the weak, and unselfishness; and ‘moral force of character’. He listed fifteen colonies from which sixty scholars from the British Empire were to be drawn; and he added a further ninety-six scholarships for students from the United States. After meeting Kaiser Wilhelm in 1899, Rhodes allocated fifteen scholarships to German students.

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Al-Azhar’s Shia Legacy

From Black Wave: Saudi Arabia, Iran, and the Forty-Year Rivalry That Unraveled Culture, Religion, and Collective Memory in the Middle East, by Kim Ghattas (Henry Holt, 2020), Kindle pp. 270-271:

Geopolitics had clearly obliterated all sense of history in Egypt. No one even mentioned Al-Azhar’s own Shia past. The religious institution dated back to the Fatimids, the fourth Islamic caliphate and a Shia dynasty that ruled from the tenth to the twelfth century over a territory extending from the Red Sea to the Atlantic. They were the descendants of Fatima, daughter of the prophet and wife of Ali. This was the only and last time since Ali’s own brief rule in 656 that direct descendants of the prophet had ruled as an Islamic caliphate, and therefore the only time that the caliph and the religious leadership had been one. One of the first universities in the world, Al-Azhar was first built as a center of Shia learning and named in honor of Fatima, who was known as al-Zahraa’, the brilliant. Cairo itself had been built by the Fatimids as their new capital in 970. The Fatimid reign was one of flourishing arts and abundant scholarly works. There were no forced conversions to Shiism, but a tolerance for minorities that left a lasting pluralistic legacy. When Saladin defeated the Fatimids in 1170, Al-Azhar was shut down for over a century and Sunni Islam became the state religion once again. Centuries later, in the land of the pharaohs, Islam still stood at the intersection of Sunnism and Shiism; on a popular level, for centuries, and until the very recent past, there had been no divide between them. But for a few decades now, just as in Pakistan, there had been efforts to curb the mawleds in Egypt, the colorful, exuberant celebrations of the birthdays of saints and the prophet. Some of this was the result of state-led efforts to organize the chaotic festivities, or even of Sufi-led reforms, but many Egyptians attributed the changes to the influence of Saudi puritanism.

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1857: The Sepoy Jihad

From The Last Mughal, by William Dalrymple (Knopf Doubleday, 2006), Kindle pp. 22-23:

For many the appeal of the Mughal Emperor was as much religious as political. As far as the Indian participants were concerned, the Uprising was overwhelmingly expressed as a war of religion, and looked upon as a defensive action against the rapid inroads missionaries and Christianity were making in India, as well as a more generalised fight for freedom from foreign domination. The Great Mutiny has usually been presented by the Marxist historians of the 1960s and 1970s primarily as a rising against British social and economic policies, as both urban revolution and a peasants’ revolt sparked off by loss of land rights and employment opportunities as much as anything else. All this certainly played a part. Yet when the Indian participants of the Uprising articulate the reason for their revolt—as they do with great frequency and at some length in the Mutiny Papers—they invariably state that they were above all resisting a move by the Company to impose Christianity and Christian laws on India—something many Evangelical Englishmen were indeed contemplating.

As the sepoys told Zafar on 11 May 1857, “we have joined hands to protect our religion and our faith.” Later they stood in the Chandni Chowk, the main street of Delhi, and asked people: “Brothers: are you with those of the faith?” British men and women who had converted to Islam—and there were a surprising number of those in Delhi—were not hurt; but Indians who had converted to Christianity were cut down immediately. As late as 6 September, when calling the people of Delhi to rally against the coming assault by the British, a proclamation issued in the name of Zafar spelled out very plainly “that this is a religious war, and is being prosecuted on account of the faith, and it behoves all Hindus and Musalman residents of the imperial city, or of the villages in the country…to continue true to their faith and creeds.” Even if one accepts that the word “religion” (for Muslims din) is often being used in the very general and non-sectarian sense of dharma (or duty, righteousness)—so that when the sepoys say they are rising to defend their dharma, they mean as much their way of life as their sectarian religious identity—it is still highly significant that the Urdu sources usually refer to the British not as angrez (the English) or as goras (whites) or even firangis, but instead almost always as kafirs (infidels) and nasrani (Christians).

Although the great majority of the sepoys were Hindus, in Delhi a flag of jihad was raised in the principal mosque, and many of the insurgents described themselves as mujahedin, ghazis and jihadis. Indeed, by the end of the siege, after a significant proportion of the sepoys had melted away, unpaid, hungry and dispirited, the proportion of jihadis in Delhi grew to be about a quarter of the total fighting force, and included a regiment of “suicide ghazis” from Gwalior who had vowed never to eat again and to fight until they met death at the hands of the kafirs, “for those who have come to die have no need for food.” One of the causes of unrest, according to one Delhi source, was that “the British had closed the madrasas.” These were words that had no resonance to the historians of the 1960s. Now, sadly, in the aftermath of 9/11 and 7/7, they are phrases we understand all too well, and words like jihad scream out of the dusty pages of the source manuscripts, demanding attention.

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Fashioning Finnish Philology

From Scandinavia: A History, by Ewan Butler (New Word City, 2016), Kindle pp. 212-213:

In Finland, administrative ties with Sweden had been exchanged for ties with Russia, but literary life such as it was continued to develop in its own fashion. Despite the crosscurrents of Classicism, Romanticism, and Realism that were playing elsewhere in Europe, Finland’s chief concern in the nineteenth century was the development of a unified national language. Literature and theater could not emerge until a Finnish language had been developed and accepted among cultivated men, who up to that time had been conversant only in Swedish. Finland’s vast store of folklore offered the most promising area of exploration to the generation of writers who first tackled the language problem. Writing in 817 [1817?], a student argued: “No independent nation can exist without a fatherland, and no fatherland can exist without folk poetry [which is] nothing more than the crystal in which a nationality can mirror itself.” The key figure in this search for a national identity was Elias Lönnrot, who as a philologist-folklorist, collected materials from the Lapps, the Estonians, the Karelians, and other Finnish tribes, and assembled both the first dictionary of the Finnish language and its first extensive written literature. His legend, Kalevala (1835), a compilation of some 22,000 lines of oral history, tells in epic form the mythic history of the Finns from the Creation to the coming of Christianity, and it served as a rallying point for Finnish nationalist feeling, not only in subsequent literature, but in painting, sculpture, music, and political life, as the people moved toward independence.

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Explorer and Sheikh Finally Part

From A Labyrinth of Kingdoms: 10,000 Miles through Islamic Africa, by Steve Kemper (W. W. Norton, 2012), Kindle pp. 302-303:

The packet [Heinrich Barth] gave al-Bakkay to send from Timbuktu included letters for the Foreign Office, the Royal Geographical Society, and many friends. It didn’t reach Europe until 1857, having spent more than two years in Ghadames.

The lull before parting was bittersweet. Barth and his friends from Timbuktu had grown fond of each other. In the mornings, as he took the air outside his tent, they gathered around him for conversation. One morning they asked him to read aloud from his European books, for the sound of the languages. He read the Bible in Greek and some passages in English, and recited a poem in German—the latter a big hit because “the full heavy words of that language” reminded them of their own. Another day they asked him to put on his European clothing, so he dug out his black suit. They admired the fine cloth and the trousers but found the frock coat comical. In Central Africa, wrote Barth, they were right.

As their time left together grew short, he and the sheikh continued their genial wide-ranging talks. They had been almost constant companions for nine-and-a-half months. Finally the day arrived when Barth was to cross the river and continue his journey home. His entry for July 9:

This was the day when I had to separate from the person whom, among all the people with whom I had come in contact in the course of my long journey, I esteemed the most highly, and whom, in all but his dilatory habits and phlegmatic indifference, I had found a most excellent and trustworthy man. I had lived with him for so long a time in daily intercourse, and in the most turbulent circumstances, sharing all his perplexities and anxieties, that I could not but feel the parting very severely.

Barth esteemed al-Bakkay, but couldn’t resist pointing out his flaws. The explorer sometimes judged the sheikh a timid procrastinator, but that seems unfair, considering the violent forces he had to balance. He risked his life by defying Ahmadu Ahmadu. He outmaneuvered not only the emir, but enemies in Timbuktu, including scheming members of his own family, while also dealing with constant threats from bellicose Tuaregs. He was also kind, generous, loyal, open-minded, and invigorating company. Because of him, Barth survived Timbuktu.

When he reached the opposite bank of the Niger, Barth fired two shots in farewell, as al-Bakkay had requested. Then he turned and began jotting notes about the sandy downs of this new shore, and the paths that led away from the river toward the east.

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