From The Last Mughal, by William Dalrymple (Knopf Doubleday, 2006), pp. 478-479, 484:
The autocratic political structures of Mughal rule received a devastating death blow. Only ninety years separated the British victory at the gates of Delhi in 1857 from the British eviction from South Asia through the Gateway of India in 1947. But while memories of British atrocities in 1857 may have assisted in the birth of Indian nationalism, as did the growing separation and mutual suspicion of rulers and ruled that followed the Uprising, it was not the few surviving descendants of the Mughals, nor any of the old princely and feudal rulers, who were in any way responsible for India’s march to independence. Instead, the Indian freedom movement was led by the new Anglicised and educated Colonial Service class who emerged from English-language schools after 1857, and who by and large used modern Western democratic structures and methods—political parties, strikes and protest marches—to gain their freedom.
Even after independence, the arts that were cultivated by the Mughals—the miniature-painting tradition, the ghazal, the delicate forms of Mughal architecture—never really regained their full vitality or artistic prestige, and remained—at least in some quarters—as discredited as the emperors who patronised them.
Today, if you visit the old Mughal city of Agra, perhaps to see the Taj Mahal, the supreme architectural achievement of Mughal rule, note how the roundabouts are full of statues of the Rani of Jhansi, Shivaji and even Subhas Chandra Bose; but not one image of any Mughal Emperor has been erected anywhere in the city since independence. Although a Bahadur Shah Zafar road still survives in Delhi, as indeed do roads named after all the other Great Mughals, for many Indians today, rightly or wrongly, the Mughals are perceived as it suited the British to portray them in the imperial propaganda that they taught in Indian schools after 1857: as sensual, decadent, temple-destroying invaders—something that was forcefully and depressingly demonstrated by the whole episode of the demolition of the Baburi Masjid at Ayodhya in 1992. The profoundly sophisticated, liberal and plural civilisation championed by Akbar, Dara Shukoh or the later Mughal Emperors has only a limited resonance for the urban middle class in modern India. Many of these are now deeply ambivalent about the achievements of the Mughals, even if they will still happily eat a Mughal meal, or flock to the cinema to watch a Bollywood Mughal epic, or indeed head to the Red Fort to hear their Prime Minister give the annual Independence Day speech from the battlements in front of the Lahore Gate.
There was nothing inevitable about the demise and extinction of the Mughals, as the sepoys’ dramatic surge towards the court of Delhi showed. But in the years to come, as Muslim prestige and learning sank, and Hindu confidence, wealth, education and power increased, Hindus and Muslims would grow gradually apart, as British policies of divide and rule found willing collaborators among the chauvinists of both faiths. The rip in the closely woven fabric of Delhi’s composite culture, opened in 1857, slowly widened into a great gash, and at Partition in 1947 finally broke in two. As the Indian Muslim elite emigrated en masse to Pakistan, the time would soon come when it would be almost impossible to imagine that Hindu sepoys could ever have rallied to the Red Fort and the standard of a Muslim emperor, joining with their Muslim brothers in an attempt to revive the Mughal Empire.