Whenever I wonder what Romania might be like now if Nicolae Ceauşescu had somehow managed to survive long enough to pass his kingdom on to his son, Nicu (alas, poor Nicu!), I just turn my gaze to the royal succession in the Hermit Kingdom of North Korea, which fits Tony Judt‘s characterization of Ceauşescu’s Romania only too well.
Romanian Communism in its last years sat uneasily athwart the intersection of brutality and parody. Portraits of the Party leader and his wife were everywhere; his praise was sung in dithyrambic terms that might have embarrassed even Stalin himself (though not perhaps North Korea’s Kim Il Sung, with whom the Romanian leader was sometimes compared). A short list of the epithets officially-approved by Ceauşescu for use in accounts of his achievements would include: The Architect; The Creed-shaper; The Wise Helmsman; The Tallest Mast; The Nimbus of Victory; The Visionary; The Titan; The Son of the Sun; A Danube of Thought; and The Genius of the Carpathians.
But now it looks as if the heralds of the Kim dynasty are preparing for another royal succession by echoing the epithets of the Genius of the Carpathians in describing a Brilliant Comrade, the Grandson of the Sun, the Dauphin of Dokdo, the Titan of the Tumen (or Dionysus of the Duman), the Apollo of the Amnok, the Priapus of Paektusan, the East Sea of Ecstasy, the Yorik of the Yalu, the Need-shaper, the Wisen Heimer, the Un, etc.